Archived posting to the Leica Users Group, 2007/09/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Really interesting to know this information Jeffery, I understand you like this lens. My father had a Contax with a Sonnar 50/1,5, and I've shot my first serious pictures with it, a very nice lens, I have a great "souvenir" of it. I think that the older developpers, papers, or chemicals gave a less contrasted aspect using this lens, and more reach on the midtones. Saludos cordiales Luis -----Mensaje original----- De: lug-bounces+luisripoll=telefonica.net@leica-users.org [mailto:lug-bounces+luisripoll=telefonica.net@leica-users.org] En nombre de Jeffery Smith Enviado el: martes, 04 de septiembre de 2007 22:51 Para: Leica Users Group Asunto: Re: [Leica] Southern Decadence, in B&W Thanks for the comments guys. The camera was one of those new Cosina rangefinders badged as a Zeiss Ikon. The 50/1.5 Sonnar is also the new one, but it behaves exactly like the old one (I think Zeiss used the old formula exactly). I very much like this lens. Shooting it fairly wide open throws the background sufficiently out of focus to give it a 3-dimensional quality, especially here: http://www.400tx.com/files/PAW2007/2007-22.html It's a little harder to focus up close when the field depth is very shallow. http://www.400tx.com/files/PAW2007/2007-2.html and http://www.400tx.com/files/NOLABW/26.html It has a known issue with focus shift when changing apertures, but it is still one of my favorite lenses. Thanks again for the comments -- Jeffery L. Smith New Orleans, LA _______________________________________________ Leica Users Group. See http://leica-users.org/mailman/listinfo/lug for more information