Archived posting to the Leica Users Group, 2006/01/23

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Subject: [Leica] WAS: "Women In Medicine" by Ted Grant & Sandy Carter NOW:EXPOSURE
From: r.s.taylor at comcast.net (Richard S. Taylor)
Date: Mon Jan 23 08:55:36 2006
References: <000601c61df1$b3ce3f80$90f51342@IBMA484DF758F7> <000b01c61efe$30b591d0$2ee76c18@ted> <p0623096cbffaa493014d@[131.142.12.152]> <002d01c62038$50ee26c0$2ee76c18@ted>

That explains it.  Thanks Ted.


>Richard S. Taylor asked:
>>But do I understand that you never found it necessary to half-press 
>>to hold exposure from a particular area at all?  If memory serves 
>>there were a couple of shots with bright window areas or bright 
>>lights in the frame. That had to have presented a metering 
>>problem.<<<<
>
>G'day Dick,
>A few times, but that was done almost all in one motion. Lock on a 
>spot that looked about right and continued to the content "click." 
>Or reverse, I saw what was evolving, picked a spot that looked 
>close, locked AE by half pressure then back to the moment about to 
>happen.
>
>Or I shot allowing the inside to go deliberately to silhouette 
>compared to the exterior lighting or close to that.
>
>My re-action to the action happening is always the goal to put on 
>film, so in most cases the camera is to eye and frame made before I 
>even think about the light because I've already seen what the light 
>is doing as I'm looking at the scene. Quite often something occurs 
>and if you're taking too much time hunting for a "matching area" to 
>meter off, the motivating moment is lost for ever. Besides it's B&W 
>and you only need to be close anyway. ;-)
>
>It's kind of hard to explain, but as you know my "light-eyes-action" 
>credo has been my guide for so many years these things are happening 
>without deliberate thought.
>
>It's looking through the viewfinder using the Noctilux then 
>realizing it's a distracting background. Then with nothing more than 
>fingers automatically spinning the aperture ring wide open, I don't 
>even bother looking to see where it is, I shoot! Background gone!;-)
>Without thinking anymore than that. I've seen the shutter speed 
>change as it flashed in the view finder, it's going to be a higher 
>speed in any event so nothing to think about but shooting the action.
>
>If necessary I stay with the situation if there's a possibility of a 
>better moment.
>
>This type of conversation is always better sitting around talking 
>photography with a Leica. ;-) Of course with crackers, cheese and a 
>good beer!;-) I hope this helps.
>
>ted
>
>
>
>
>Ted Grant Photography Limited
>1817 Feltham Road
>Victoria BC  V8N 2A4
>250-477-2156
>
>_______________________________________________
>Leica Users Group.
>See http://leica-users.org/mailman/listinfo/lug for more information


-- 
Regards,

Dick
Boston MA

In reply to: Message from sries333 at eticomm.net (Steve Ries) ([Leica] "Women In Medicine" by Ted Grant & Sandy Carter)
Message from tedgrant at shaw.ca (Ted Grant) ([Leica] WAS: "Women In Medicine" by Ted Grant & Sandy Carter NOW: EXPOSURE)
Message from r.s.taylor at comcast.net (Richard S. Taylor) ([Leica] WAS: "Women In Medicine" by Ted Grant & Sandy Carter NOW: EXPOSURE)
Message from tedgrant at shaw.ca (Ted Grant) ([Leica] WAS: "Women In Medicine" by Ted Grant & Sandy Carter NOW:EXPOSURE)