Archived posting to the Leica Users Group, 2004/07/19
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks, Don. So, do these film have different responses than say a 400 ASA color film? If I'm going to only want a B&W image is there any reason to simply just shoot color and then manipulate in photoshop? Or do I get a gain in .... something .... by sticking to the black and white? I like TCN a lot, especially for portraiture (when I don't want grain that is), but I'm wondering if I shouldn't just chose a color negative film instead. adam On Mon, 19 Jul 2004 20:48:35 -0400, Don Dory <dorysrus@mindspring.com> wrote: > Adam, > You don't really push or pull C-41 with these chromagenic films. > Basically you are trusting to the really long characteristic curve of > these films. At the low ISO settings you find more of the image from > the shadows, lose detail in the highlights, and reduce contrast. At the > high ISO settings you lose shadow detail and gain more detail in the > highlights. > > The chemistry of C-41 films is fascinating. Each color layer is at > least two; one of high sensitivity and one of low sensitivity. Within > each layer is a chemical restrainer that doesn't let the density build > up too fast or too far. The restrainers are why four stops overexposed > can still produce flat but reasonable prints. > > Don > dorysrus@mindspring.com > > > > -----Original Message----- > From: lug-bounces+dorysrus=mindspring.com@leica-users.org > [mailto:lug-bounces+dorysrus=mindspring.com@leica-users.org] On Behalf > Of Adam Bridge > Sent: Monday, July 19, 2004 7:29 PM > To: Leica Users Group > Subject: Re: [Leica] Re: Kodak BW400CN > > So how do you ask to have it processed if you're going to shoot at 50 > which is pulling the film 3 stops. Do you then get an incredibly thin > negative that's still scannable? > > I'm just curious because I haven't liked the resuilts when I shoot TCN > at 200 wtih normal processing and I don't want to process it for 200 > (read I'm too damn cheap and don't like to wait the extra time it > takes.) > > Thanks for any thoughts. It's good to know that there is SOMETHING > about this new BW400CN that people are liking. > > adam > > On Mon, 19 Jul 2004 17:14:10 -0700, JCB <jcb@visualimpressions.com> > wrote: > > At 04:55 PM 7/19/2004, Oliver wrote: > > > > >When I dropped off some color negative film at the New Lab today I > asked > > >whether they had formed an opinion on BW400CN, the successor to > TCN400. I > > >was told that the new film is sharper and has better shadow detail. > The > > >reply to my question whether the new film should also be rated at ISO > 200 > > >was, "most pros who want a little extra snap in the prints expose it > that > > >way." > > >Oliver Bryk > > >PS www.newlab.com is the leading pro color lab in San Francisco. > > > > > > Like T400CN, BW400CN has a huge latitude. Kodak states ASA 50 thru 800 > can > > be used with confidence with normal processing. Of course, what you > take > > your light meter reading of (its reflectance) will make the biggest > > difference in your results regardless of the ASA you use. > > > > Even though it is called "400", most folks find it marvelous at 200. > As you > > probably do. I have used it at both ends, 50 to 800, and have not been > > disappointed. > > > > JB > > > > PS... www.calypsoinc.com (Calypso Imaging) is the leading pro > color/B&W lab > > in the south bay. > > > > > > > > > > _______________________________________________ > > Leica Users Group. > > See http://leica-users.org/mailman/listinfo/lug for more information > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information >