Archived posting to the Leica Users Group, 2002/09/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]What you have apparently missed is at least a year of Alfie's posting of his photos - and constructive criticism provided by many LUGers, including Ted Grant. And you have apparently missed Alfie's total ignoring of all advice and criticism. You have also obviously missed Alfie's posing and posturing, his blather about this book project and that book project, about his presenting his portfolio to New York galleries. So what you've missed, I suppose, are the postings of the LUG's own Walter Mitty. I know that the reason I finally responded as I did is that I believe that Alfie's posing is basically pretty insulting and demeaning to people who really are photographers, people who work at their craft, people who listen to and learn from the advice of others, and people whose work improves with time. The criticism of Alfie has absolutely nothing to do with the camera he used - in fact his work has been somewhat improved by the fact that he no longer has to focus or worry about exposures. Much great work has been done with very basic photo equipment. The issue, George, is the "photographer," not the equipment. And as someone just suggested, check the archives. Respectfully = B. D. - -----Original Message----- From: owner-leica-users@mejac.palo-alto.ca.us [mailto:owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of George Lottermoser Sent: Friday, September 06, 2002 6:44 PM To: leica-users@mejac.palo-alto.ca.us Subject: Re: [Leica] Alfie After reading BD's diatribe, I had to "see" what all the fuss was about - and also downloaded the "Postcards" pdf. Without a doubt, from any sort of professional POV, the writing, design and images need heavy duty editing and serious revision. The technical limits of the P&S digital camera, as well as the aesthetic and technical limitations of the shooter and designer, have certainly been revealed in the work. But in fairness a couple - few images have some appeal. And further, begin to speak about a potentially interesting existentialist theme (A philosophy that emphasizes the uniqueness and isolation of the individual experience in a hostile or indifferent universe, regards human existence as unexplainable, and stresses freedom of choice and responsibility for the consequences of one's acts.) I find it difficult to imagine this work coming from a graduate student; and its limitations being published for sale (self or otherwise). But as beginning, undergraduate student work; I see an idea, effort and direction buried in quantity, ego and verboseness. If indeed Alfie does not listen, see and learn, that's too bad. However, had Alfie submitted this body for critique, learned from that critique, and re-submitted a heavily edited revised version for further discussion - could we have found some compassion for his desire to communicate and learn? Indeed, can I depend on this group to help me in these regards? Or will I too get my head cut off? Within the last few days someone else submitted a body of work done with a digital P&S, much of it heavily manipulated in PS. I found it very strong visual work and appreciated the opportunity to see it. No one put it down for the hardware's technical limitations or the photographer's choice to use it. I don't understand why we put down effort without constructive criticism. To suggest that someone has erred in offering work to the LUG for viewing, critique and / or sale because it isn't up to "our standards" seems a slippery slope. I've spent a hell of a lot of time tracking down images submitted by members of this group which appear far worse than Alfie's best "postcards". In many cases I have no idea if the submissions come from beginners or from folks that have been trying for decades and really, maybe ought to give up the chase. And I don't know how long Alfie's been working at "it" either. Obviously Doug's wildlife work ranks magnitudes above Alfie's street work. And while Doug may not have ever offered "prints for sale" of his early attempts and failures as he pursued his craft. I don't think its inherently wrong or inappropriate on an FS-friday to do so. Don't like it - don't buy it. Don't like the guy / gal - don't read it or look at it. But why attack the person? What have I missed? geebeespawgeebeespaw@btopenworld.com (geebeespaw)9/6/029:13 PM >I never understood his obscure titling of his images and the photographs themselves did nothing for me but looking at the pdf file ("there's no such thing as bad publicity") I think they are an improvement on past efforts. Would I buy a copy? No I would not. Have I seen worse? Yes I have and not all of it mine and not all of it from amateurs. As previously stated, I will not be buying a copy but I would like to offer congratulations to Alfie for an object lesson in tenacity. He had a dream and he chased it down. It says something for the climate on the LUG >recently that I hesitate to post my opinion in case the fallout rains down on my head. If it does, so be it. Good on yer Alfie. George - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html