Archived posting to the Leica Users Group, 2001/09/27

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Subject: Re: [Leica] DARKROOM II
From: "Mârtiòð Zelmenis" <martin@lrpv.lv>
Date: Thu, 27 Sep 2001 09:47:04 +0200

Just anything: different film formats, color and b/w, and for dynosaurs like
me - different light sources in enlarger heads - etc., etc.

Martin


More than one enlarger in a darkroom for different film formats. The V35
only does enlargements from 35 mm or smaller negatives (Minox I
believe?).

Regards,

Greg J. Lorenzo
Calgary, Alberta

"Nguyen, Olivier T [AMSTA-AR-CCF]" wrote:
>
> Hi Marc,
> can you tell me why do you have more than one enlarger in your darkroom ?
> is there any trick to perform ?  I want to learn that trick.  Please, I am
> not try to make fun of  you or anything.  I just try to see what you do
with
> more than 1 enlarger that is all.  I just want to learn new thing.
>
> I right now have 1 enlarger in my room and still litlle by little learn to
> developt the film and the print correctly here.  I am a fresh newbie of
> darkroom so I did not see much of thing yet specially the tonal change in
> slightly and I still make a lot of mistake such as little too dark for
skin
> tones etc.
>
> Yes, darkroom is fun.  taking picture without developt and print already
> kill 80% of the fun.
>
> I try color one time by developt the film and print but not 100% success
> yet.  I will try again.  Can anyone here point me to any website or any
> place beside library that show me how to developt the color.  I follow
some
> guide line of our member here and I fail in the first time.  don't know
what
> going on.  Probably the temperature is not correctly control
>
> Olivier
>
> -----Original Message-----
> From: Marc James Small [mailto:msmall@roanoke.infi.net]
> Sent: Monday, September 24, 2001 11:08 PM
> To: leica-users@mejac.palo-alto.ca.us; rollei@mejac.palo-alto.ca.us
> Subject: [Leica] DARKROOM II
>
> Well, I made it tonight, for a couple of hours, the first time in the
> darkroom in 18 months or two years or somesuch.  I now have both my
Beseler
> 23CII (with my new 2.8/50 APO-Rodagon) and my Leitz V35 side-by-side, a
> rather chummy arrangement.
>
> I had to relearn working in the dark, which is always mildly frustrating,
> but old habits come back readily.  My stock of Ilford MGIV glossy paper
was
> a bit heat-struck but not terminally so.  (I did get my supply box out of
> the freezer to stock up again tomorrow with fresh stuff.)  I thought the
> V35 had lost its auto-focus but, after futilizing a bit at trying to
adjust
> it, I realized I wasn't locking the negative carrier in, and then all was
> well.
>
> I had a couple of recent rolls to print, both 100 Delta.  One taken with a
> Werra III (2.8/50 CZJ Tessar and 4/35 Flektogon), the other with a
Contarex
> Cyclops (4.5/21, 4/35, 2/50, 4/135, 13/400).  The first roll was souped in
> Rodinal, the second in Ifosol.  The paper was souped in Dektol,
> incidentally.
>
> A pleasant evening printing rather mediocre pictures on perishing paper.
> One shot was nice enough that I broke out a sheet of my all-too-small
> reserve of that magnificent ORWO semi-matte fiber monograde paper, the
> stuff to die for.
>
> I still do not understand how a serious student of photography can really
> learn the art of taking pictures without doing at least occasional
darkroom
> work.
>
> The APO-Rodagon-N, incidentally, is cleanly and clearly superior to the
> Focotar-WA, as Erwin hinted it might be.  I now need to find a 75mm
> APO-Rodagon-N to replace my 4/80 Beseler-HD for MF work, but these guys
are
> hard to find without buying new.  I'd replace the Focotar with an
> APO-Componon if I could find one used but these puppies NEVER seem to
> appear on e-Bay.  (The APO-Componon is a 40mm lens, incidentally, meaning
> its a plug-in replacement for the Focotar;  the APO-Rodagon is a 50mm
lens.)
>
> Marc
>
> msmall@roanoke.infi.net  FAX:  +540/343-7315
> Cha robh bàs fir gun ghràs fir!
>
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