Archived posting to the Leica Users Group, 2000/12/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 8:46 AM +0100 12/22/00, Robert Appleby wrote: >Just back from a few days at Brian Stevens' place in London, where I also >met up with John Brownlow to discuss our plans to achieve universal >domination. Unfortunately we've had to reschedule our assumption of power >by a couple of months, but despite this disappointment we had a nice time >wondering in the gloom of London. Brian has just recently bought a 50 >summicron, as I did also a couple of months ago, and we were both noting >how disappointed we are with the results. There's a definite feel/look to >the new 35 asphs which leaves the 50/2 for dead. Brian uses the 35/2 and I >use the 35/1.4. If I have understood Erwin's comments on the 50/2, it has >excellent resolution etc but my feeling is that the newer lenses have a >much greater _perceived_ sharpness. Put slides from the 50 next to the >35/1.4 or 24/2.8 asphs and they really look soft and wishywashy. Well, >that's what I felt, anyway, does anyone have the same/conflicting feelings? >Meanwhile, Happy Christmas and so on. >Rob. >Robert Appleby >'we had a nice time wondering in the gloom of London.' no 'wonder' world domination is going nowhere. ;-) As for the Summicron 50 question, I have to agree. The smoothness and slightly undercorrected spherical aberrations of the 50 leave it with a creamy tonality that at times makes its images seem less crisp than those of the newer lenses. The 35/1.4 and 90 ASPH certainly have a clarity that makes the 50 Summi look a bit older, if not less sharp. - -- * Henning J. Wulff /|\ Wulff Photography & Design /###\ mailto:henningw@archiphoto.com |[ ]| http://www.archiphoto.com