Archived posting to the Leica Users Group, 2000/09/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Bob: Perhaps for you the point is manual, but for me it's LENSES. There is one correct exposure, how you get there makes little difference to the photograph. I am a photographer, not a disciple. Regardless of the method I use, or the camera, I am in control of the photograph. The one thing I cannot control is the what happens to the light inside the lens, for that I turn to my German friends. In my view using the M as a field camera is just silly. If I am going to work slowly on a tripod, I use at least a medium format camera. Tom >In a message dated 9/7/00 12:05:12 AM Pacific Daylight Time, >owner-leica-users@mejac.palo-alto.ca.us writes: > ><< Here's my list of reasons why take the Hexar RF over the Leica M. > > 1. better meter > 2. automatic mode > 3. motordrive that works > 4. 1/125 flash sync > 5. rangefinder than never flares out > 6. easier loading > 7. DX coding > > That's reason enough for me. My m4-p pines away at home. Sold my M-6. > > tom >> >-------------------------------- >Tom, > >I think you miss the point about an M. I can sum it up in one word: Manual. >The M puts you in control of your photography from the ground up. With the >Hexar, whether you're aware of it or not, you've opted for a different >technique. I'm not critical of those among us who want to go the high tech >way in photography. I'll use an AF camera for certain types of work. > >But when it comes to art photography, it's the M. I even use the M as a field >camera. I compensate for its manual nature by presetting everything on the >camera. It's only when I'm not thinking fulltime that my thoughts turn to >automation. But if I'm not thinking fulltime I shouldn't be doing >photography. By analogy, you don't drive when you/ve had a few drinks. > >It's all about M's. > >Best, >Bob Thomas Kachadurian ==================== www.kachadurian.com