Archived posting to the Leica Users Group, 2000/07/31
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jim, your description of the Ilfochrome print and the prints of your daughter where a delight to read. Together with other posts especially from you and Erwin giving the scientific basis it shows that the ultimate quality can yet be reached using silver based techniques. I will go using digital the Nathan way: it is faster and I hope to have better abilities in judging a proof digital than a proof print - it is my personal limitation. But there was some other point in your post which interested me: <snip> > She first printed her favorite scene from the non zone roll. The print > (11x14) looked good. A little dodging and burning here and there, but a > reasonable print. THEN... she printed the same negative from the zone roll. > She nearly fainted. She came out of the darkroom yelling "DAD... look at > this!" A straight print that was so much better than the non zone print, it > was stunning!!! The tones slid from bright sparklie white into a deep > seductive black. The difference between the two prints was simply amazing. <snap> I thought using the famous "Zone System in a Nutshell" was enough for me: Arranging the zones via different paper grades seemed to be sufficient: If a negative is longer exposed than it would using the zone system, its contrast is too high, so I use paper of lower gradation - and vice versa. Can you enlighten me, what more is in the Zone System outside the nutshell? christoph P.S. To learn a craft in Germany takes at least two , usually three years!