Archived posting to the Leica Users Group, 2000/07/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> Digital sensors cannot compete with film. Film is limited in its ability to capture a large dynamic range - this is self-evident in its limitation to render detail in both bright highlights and dark shadows. Film must bias towards one or the other - and this bias increases as the contrast of the light increases. In this regard, film is limited to a finite range of stops between what differences it can discern between dark and light. 1) This difference is about 6-8 f/stops with careful attention to exposure and chemistry. A digital camera can capture a greater dynamic range - this is self-evident in its ability to capture detail in both bright highlights and dark shadows simultaneously. 3) Digital cameras differentiate between 8 - 11 f/stops of exposure latitude. CCD has been gaining sensitivity in this specification by about 1 full stop a year. Additionally, CCD has been gaining in noise suppression with high end devices exhibiting very little distortion if any in the darkest regions. Dynamic range and printing: Variable contrast photographic paper has the ability to render up to 12 contrast stops, but not simultaneously. Again its dynamic range is dependent upon filtration during exposure and is designed to match the capabilities of film. (note: the above text was taken from an email I received. It puts it in better words than I would have done if I wrote it from scratch) > The net result is that you cannot record fine detail using a digital sensor > unless you are willing to make multiple scanning passes, For now, a purely digital image input device does not compete with film, I agree. But to overcome that limitation, I take the picture on film (which is what I bought my Leica for ;-), and then scan the film, and print using Jon Cone's B&W Piezography inks/software. The results are simply amazing, if you haven't seen one, you owe it to your self to.