Archived posting to the Leica Users Group, 2000/04/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> I'd like a lens to be as sharp as it can be. >From >babies to craggy old people. And I won't touch diffusion either...over a lens >and god knows over an enlarger lens. >But I will use softer lighting and faster film. Those are the techniques I >like >to not get the split ends on the ends of their nostril hairs maybe. IF they >don't want them shown. Frankly when my nostril hairs get split ends (and >grey) >I'd like to show them to the woirld! AND the big pores in my nose!!! But >I'm in >the minority opinion on this one. Can't think of anyone who agrees with me on >this one. The Chuck Close school of portraiture! >Put the grid in! OK >Mark Rabiner > Mark, You can add me to the list. Showing whats there is a good thing! When a person is 45 and thinks their picture should look like a 22 year old model with 2 hours worth of make-up, I wonder (actually I'm kind of past wonder anymore) just how perverted our societies sense of self has become. Whats wrong with looking your age? What so bad about a few wrinkles? I get pretty sick of the constant exposure I have to this "I must look like the magazines and TV tell me to look" attitude. I think my best pictures are those that DO show whats there. And they are flattering to the subject. But certainly not in the media/advertising/MTV/Glamour sense. And using softer film and lighting is the answer for me too. Fast film and soft window light is a very wonderful combination. Henry Ambrose