Archived posting to the Leica Users Group, 2000/04/19
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]There is really only one thing to do at this point: get me to a store and see for myself what's what. Unfortunately, the only store in town (Baltimore) that carries Leica has just the .85 and a Tri-Elmar in stock. . . . Thanks for your input. I'm also happy to hear my anticipated lens progression confirmed by an experienced M user. --> 1/ Congratulation$ ! You're about to get your money's worth. --> 2/ I'd like to throw my little stone in your pond: -- why not a 35mm right now as standard lens ? -- why not consider the Tri-Elmar ? Either way, you've made a Leica decision and it will only grow on you. I tend to be very much wide-angle oriented and I truly prefer such visual dynamics; to me a 50mm borders on telephoto. I'm convinced the 35mm focal length is ideal for 90% of photo situations (even if I use 28mm ) for most photographers. I also tend to think 35mm (and 28mm) photo shoots yield higher rates of interesting images, relative to 50mm shots. IF it is withing your budget's reach, perhaps should you look into the Tri-Elmar. Not that many people use it, but, street photo wise, I'm convinced it's one unique option that's likely to be even more exiting if you factor in its stellar optics and flexibility. Perhaps can it be had for a decent price if you consider the demo unit at your dealer's (as some dealers may prefer to rotate their demos)? I'm convinced you'll rave about whatever model you end up buying. A f/2 Summicron 50 - M definitely represents quite a level of technical merit and creative freedom. --> 3/ If you don't like flash photography (I'm resistant to it too), it may be, as for me, that you haven't had the opportunity to try out fully a really good flash with bounce and TTL capabilities. Yes, I agree, there is something magical about natural available light photography when done with taste, but don't corner yourself: newer electronic flash systems have reached a point that they command some respect and consideration. My point being: go for the TTL model as it is VERY likely that the next generation Leica flash, perhaps simply a more intricate model, will be more than a "mom & pop" birthday party "family flash" and deliver more flexibility, more "creative" potential and fully justify the TTL decision down the road. --> I'll always leave a final decision with you, but I'd like to emphasize the beauty of chrome-on-chrome Leica stuff, even if I prefer black for a more "low-key" impression, especially in street photography. The weight difference really is negligible. BUT it's your party ! --> Oh NO-o-o-o ! Another Black and White freak ! ;+)~ I hope you decide to check out yourself what you Leica lens(es) can do with films like Kodachrome 64 or Fuji Reala ... or high speed color (ISO 800+ like Fuji Super G, NHG II or Kodak PMZ, Royal 1000, and such). You may get to use color more often and enjoy your new camera system even more. Or go wild and go Ektachrome 100 VS or treat yourself to a few rolls of "classic" Ektachrome 64 Pro (still available overseas and as import). It's springtime, you know... Best regards, Andre Jean Quintal