Archived posting to the Leica Users Group, 2000/04/12

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Subject: Re: [Leica] Report on Piezography
From: Ian Stanley <stanley@loxinfo.co.th>
Date: Thu, 13 Apr 2000 06:36:04 +0700

Hello Tina,

         Sorry if I'm a little late getting in on this thread but I just 
got back from Kathmandu last night.  Is the ink set and software you 
mention from Cone Editions Press??  I'm very curious because there was a 
sample print and info package waiting in my mailbox.  The print looks good 
and the thought of having so many printer profiles for the different paper 
is really appealing.  I have been thinking of buying a 3000 for b&w anyway 
so this may just help the decision - or give me an excuse.

         An aside - I just had a show in Kathmandu, 18 prints on 
watercolour paper and 13 sold before I left.  6 of the framed prints sold 
as well as 7 unframed copies.  the show will be up for another three weeks 
but I am already very pleased with the results.  People really seemed to 
like the look of work on watercolour paper.

Ian Stanley,

Bangkok, Thailand

At 10:31 AM 12/04/2000 -0400, you wrote:
>O.K., guys, here is my report on the Epson 3000 and Piezography software 
>which I am using to print my LEICA black and white negatives:
>
>It took me about two hours to get the printer set up (it's big!) and 
>install the software.  Then I spent all day yesterday trying out samples 
>of different papers.  The paper makes a huge difference in the appearance 
>of the prints.  I tried everything from thick, rough watercolor paper to 
>very thin, glossy photo paper.  It's all gorgeous!  There are absolutely 
>no dots visible.  I had a little trouble with banding until I figured out 
>I was supposed to be using the Super Micro-weave setting.  Now there's no 
>banding on any paper.  The colors of the ink vary slightly depending on 
>the paper used, but they all appear close to neutral.  The watercolor 
>paper gives a warmer tint.  The Media Street dual sided paper gives the 
>coldest tint with extremely black blacks.  The QuadBlack inks are really 
>the way to go for beautiful black and white prints.
>
>I'm putting some samples in the back window of the car to test the fading, 
>but these inks and papers are supposed to be archival.  I couldn't 
>be  happier with this system (well, I'd love to find some cheaper 
>paper!).  My days of breathing chemicals are numbered!
>
>Leically,
>
>Tina
>
>
>Tina Manley, ASMP
>http://www.tinamanley.com