Archived posting to the Leica Users Group, 1999/07/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]"Richard E. Baznik" wrote: > > Yesterday I processed a roll of TMX in XTOL for the first time (shot in an > M6 with Tri-Elmar and thin Tele-Elmarit, so we have some relevance to the > LUG). I shot at EI 100, and used a 1:3 dilution for 13 minutes at 74F. > Great negatives, wonderful prints. > > One question, however. The frame numbers and other Kodak verbage on the > edges of the film are practically invisible. Is this a common trait of > XTOL? I've never had that result with any other developer, and I've used > quite a few. It is slightly inconvenient, but I'll live with it if that's > the price of getting negatives like these. > > Anyone have a similar experience?///REB > > Richard E. Baznik Kodak calls it a surface etching developer or some such odd thing so if your previous developer wasn't that could be it but I think you just have a new emulsion batch. Time for Kodak to replace their LED. I have seen 8 by 10 prints made with TMY with Xtol that I guessed were TMX (400 speed verses 100 speed). That is what got me to got out and buy a packet. But all I've done is Tri X and Pan F, no tab films yet. I think TMY (400) with Xtol is being considered a "magic" combination used by some top "names" and people in the know. It's taking the combined force of such rumors to tear me away from my beloved TriX for a second. I can't bear not having it in my camera. Mark Rabiner