Archived posting to the Leica Users Group, 1999/04/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]It sounds like the calibration that you are using is a bit off. Are you using the setting for raw E-6, or one for the particular film that you are scanning? These preset calibrations are software filters designed to compensate for peculiarities of individual film types. Your best be might be to adjust the scan window curves for the initial scans so that you get as much detail as possible in the file and then use levels and curves in PhotoShop to finish the picture. A great first step in PhotoShop is to open levels and adjust the end points so that the long flat lines of the of the histogram are removed. Then open curves and adjust the midtones and colors. DO NOT USE THE SET BLACK IN CURVES, LEVELS OR THE AUTOMATIC LEVELS OPTIONS. The tend to throw out too much data and result in odd looking images. Be sure to use the info pallet readout rather than eyeballing the image on the screen when making corrections. Subtle differences are very difficult to judge and when you take into account aging computer screens then you've really got trouble. I make all of my corrections in the RGB mode, but set the info panel options for CMYK readout. The exact numbers that you'll look for in the info box will change depending on your intended output and the lighting conditions of the original image, but you should typically look for a highlight caucasian skin tone with less than 15% cyan, and the yellow value about 3~6 points higher than the magenta value. For darker skin, the cyan tends to run higher increasing the total ink value, but the M and Y values tend to hold the same relationship. You should cross check a neutral tone where the CMYK values are the same. The way to learn all of this is to study a scan that you like and works well for the ultimate output that you have in mind. Use the info pallet set as above, use the eyedropper tool with the option set for a 5 x 5 sample, and pick the image apart. Study skin tones, neutrals and shadows, making notes on what looks good and what doesn't, and apply those general thresholds to future scans. The more that you study, the better the end results will be. Rick