Archived posting to the Leica Users Group, 1999/02/16
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>and white is alive and well in photojournalism. It should be noted those >five photographers' work is still printed black and white. Which may have >something to do with it since they think black and white when they shoot, >even though for several years they've shot color negative. To be clear, are these photographers not shooting colour neg film? It is only B&W because the paper only prints B&W. I would like to see their COLOUR prints and compare them to the B&W to see if they stand up. When I edited for the MSF book (see sig file) I had to decide which images would be colour and which would be B&W. Since I only shot colour transparency (have to protect my long term investment) is was an amazing exercise to scan and convert a couple of hundred slides. It really teaches you what draws you to a scene or image and the elements at play. The impact of some photos remained the same, some were better in B&W, some remained better images as colour. Film types, like lenses and other photographic tools are best chosen for the job and desired effect. Greg Locke <locke@straylight.ca> St. John's, Newfoundland. - ---------------------------------- TOUCHED BY FIRE: doctors without borders in a third world crisis. McClelland & Stewart Canada. ISBN#0-7710-5305-3 http://www.straylight.ca/touchedbyfire.htm