Archived posting to the Leica Users Group, 1998/12/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]FWIW, I've put a light green gel over the flash and an FL-D (which, I think, = CC30 magenta) over the lens for transparency work under fluorescent lights in order to make all the illumination one "color" and correcting the green at the lens. A few months ago I used this approach with the R4 (now we're on topic) for some publicity shots for the local public library. Although the skin tones were a tad on the warm side, the overall results were acceptable. Roy On 12 Dec 98 at 6:44, George Huczek wrote: > Recently I read of a photographer who uses a colour gel on his > flash, while using a complimentary colour filter on the camera lens. > I think he had a green filter on the lens, and a magenta gel on the > flash, or vice versa. Can someone please tell me what practical > differences these filtering techniques have? I understand the > theory of why this works, but I am wondering what differences would > actually appear on the photos if one did this. He was using a > standard focal length lens on a N***n to photograph people, using > TriX film. > > > > >