Archived posting to the Leica Users Group, 1998/11/15

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Subject: Re: [Leica] Kodachrome
From: nbwatson@juno.com (N. B. Watson)
Date: Sun, 15 Nov 1998 12:56:32 EST

Kodachrome processing is available in the US through the Kodak
Premium/Kodalux labs using the PK-24/36 processing mailers.  There are
also a few other reliable independent sources with reasonable turnaround,
including Holland Photo in Texas, and both A&I and The New Lab in
California.  

According to test results I read a while back, RVP (Velvia) actually
out-resolves PKR (K25 professional) 160 lp/mm to 125 lp/mm.  I'm an
obvious skeptic of the value of test results of anyone's doing because it
still boils down to a subjective opinion as to what portion of the
results is or isn't repeatable, let alone significant, in actual field
use.   My experience is that RVP and PKR's sharpness is very close.   If
PKR has a minute theoretical advantage it is probably cancelled by the
requisite slower shutter speed or wider aperture the 1-stop speed
difference requires. 
Of much greater significance is the apparent sharpness generated by  1)
grain (especially in even-toned areas such as open sky) and 2)saturation;
in both cases Velvia is the clear winner.
I do not agree that PKR has rich black shadows.  The old KII (pre-1974)
did, but PKR is a higher-contrast yet less-saturated film and given the
slightests overexposure to mitigate that contrast and the shadows go
green and mucky.  Shoot Velvia at EI 40 and you can tone the contrast a
bit and yet the shadows stay inky black.  Velvia also pushes well to EI
80 or 100, whereas PKR is ISO 25, period.  For 99% of subjects the snap,
crackle and pop of Velvia out-wows Kodachrome 25 by far and away.  The 1%
is skin-tones.  In that respect PKR is the agreed winner as Velvia is a
quite  warm-balanced emulsion.
Another factor worth consideration is that whilst Kodachrome has superior
archival properties when stored in the dark, E6 films such as Velvia will
hold up much better with repeated projection.  
In short, to concur that using any specific film-- and in particular
Kodachrome, is necessary to fully exploit the optical prowess of the
latest Leica lenses hardly speaks well of Leica's lenses with respect to
the photographic artists' needs.

Regards,
Nigel

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