Archived posting to the Leica Users Group, 1998/04/20
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi All, In a message dated 98-04-20 06:30:09 EDT, Alan Hull wrote: << Any part of a photograph that is out of focus is a reflection of poor and lazy technique and is of no value whatever. It is a waste of chemicals >> This is a downright silly statement. While I agree that, for my taste as well, the object of interest in a photograph should generally be sharp and well exposed, there are perfectly good reasons to leave the background blurred. Refer to the first seagull picture on my website (http://www.fsl.noaa.gov/~vondaust/stock/) I've mentioned in the past. With Alan's rule in force, I would never attempt this photograph, since it would have been impossible to have the rather unattractive background in focus even if I had wanted it to be. I do not think that photograph is of no value. Incidentally, I believe it was shot around f8. My objection to a number of the "artists" producing blurred Holga-Diana images and claiming that these are art is simply this: Picasso's extreme abstractions, for example, were of interest precisely because he had mastered the techniques of classical painting. Everyone new he could paint a beautiful picture of a model with excellent realism. His deviation from traditional styles was therefore not a lack of talent or skill, but a reasoned artistic choice. Likewise, had say Ansel Adams made blurred photgraphs of Yosemite with a Holga, then I would pay attention to the results. My two cents worth... Will von Dauster