Archived posting to the Leica Users Group, 1998/05/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]For those of you who don't get Photo Techniques magazine, the current issue's Reader's Questions column has an item regarding lens hoods. The writer states that rectangular lens hoods are more efficient than circular ones because the rectangular shape matches the same rectangular shape as the film. There are other points made in the article, regarding bellows hoods, filters, screw-in hoods, etc., but I have trouble with the idea that rectangular hoods are more efficient. If anyone wants to check the reference, it is the Feb. 1998 issue, Vol. 19. No. 1., page 20, by Ron Jegerings. He said, "An ideal hood has the same square or rectangular shape as the film format and masks light that isn't used for image formation from the image circle." The cylindrical hoods can be built-in to the lens. The light entering the lens forms the shape of a cone, determined by the angle of view of the lens. As long as the edges of the hood lie just outside this incident cone of light there will be no vignetting and the hood should operate most efficiently, no? The long dimension of rectangular hoods leave gaps between this entering cone of light, offering more space for stray light, and leading to a greater likelihood of flaring the lens. This is the way I understand it, anyway. Off-axis light rays that can get into the lens can contribute to a loss of contrast. So what's this business about the ideal shape of a lens hood being the same as the format of the film? The only case where I can see that this might apply is for panoramic cameras. Can anyone fill in the gaps here for me? - -GH