Archived posting to the Leica Users Group, 1997/04/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I used an R8 and an 800mm and it still looked like I was 8000 mm short of what is needed to produce a worthwhile photograph! And after all the fuss about this comet thing and what I see on film from an 800mm, I really can't get excited about it other than, "gee whiz there is that thing they are talking about!" Just maybe I'm becoming cynical in my old age.<< ted Victoria, Canada The comet is best photographed with a 50 to 80mm lens wide open under an extremely dark sky. Long exposures with fairly fast color films will reveal the faint colors, wisps, and tentacles of the tail that extends for thousands and thousands of miles (actually millions). With an 800mm lens you get a shot of the coma but the real beauty is in the off gas surrounding and trailing the coma. The tail can be so faint at its farthest reach from the coma that it cannot be really appreciated without wide long exposures. Happy hunting, Don Don is right. I photographed the comet several times before I realized the head and the full length of the tail cannot be optimally recorded together because of the contrast limitations of photographic film. Since I consider the tail the more desirable part of the image of the comet, I aimed to maximize its size. Only then was I satisfied with my work. It is tough to compete with Kitt Peak or the Hubble Space Telescope with an 800 mm lens, but a 90 mm lens does a beautiful job of capturing the tail. Glen Robinson