Archived posting to the Leica Users Group, 2007/04/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On Apr 18, 2007, at 12:02 AM, Adam Bridge wrote: > But Ric, it's in the boundary conditions that we really test theories > and determine what is real and what is not. By exploring them we > require ourselves to deal with the gray area - something "we" > (speaking as an American) are loath to do. It's the little choices, > made repeatedly, changed, extended, that lead from truth to > interpretive fiction. > Talking about it may help us develop a sense of it, but I don't see how we can ever draw an honest definition of it. It will, in the end be a personal opinion. There is no edge > For the news we need to demand accuracy and a lack of manipulation. > Once we give way then it's back to H. G. Well's "When anything is > possible, nothing is interesting." When we don't know what is true, > unmanipulated, who can trust it? We have enough reasons not to trust > in things as it stands already. > > To me Tina has the right of it - you just don't manipulate the > situation for the sake of a good image - not if you're making news. > So, tell me how you can make any picture without there being a manipulation of "the truth." > Perhaps it's a trip to late night in the dorm - but I think it's > really more. Today we work these issues with still photography but > video is ready for these same questions. We have to ask them and > remind the photojournalists behind the lens of the need for truth and > accuracy. > I never said it was unimportant, only impossible. Anyone looking for the boundary line may as well be debating, "What is truth?" But, I guess we are, and that is exactly my point about it being noodling. ric > Adam