Archived posting to the Leica Users Group, 2006/07/07

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Subject: [Leica] Jill Greenberg's Distressed Children
From: scott at adrenaline.com (Scott McLoughlin)
Date: Fri Jul 7 10:49:34 2006
References: <4F488248ADCD6C419976DFE43A115091EBACAF@sv-ex01.jp2hs.campus> <7.0.1.0.2.20060707112820.0243ce50@infoave.net> <2621B1E3-177E-495F-AEDF-C6BC0E14BE1E@mindspring.com> <40DECFC4-5208-4CF3-B924-AD16A33577AD@mindspring.com>

That's a really insightful and excellent point regarding her
work.  Thanks.

Scott


Ric Carter wrote:

> PS
>
> One of the things that makes Arbus interesting is how she manages to  
> keep a foot firmly in each world.
>
> Ric
>
>
> On Jul 7, 2006, at 11:37 AM, Ric Carter wrote:
>
>>
>> On Jul 7, 2006, at 11:29 AM, Tina Manley wrote:
>>
>>> To me, that kind of photography is the opposite of documentary  
>>> photography.  It's more about the photographer than the subject.
>>
>>
>>
>> Art photography?
>>
>> Not better or worse, just different.
>>
>> Ric Carter
>> http://gallery.leica-users.org/Passing-Fancies
>>

-- 
Pics @ http://www.adrenaline.com/snaps
Leica M6TTL, Bessa R, Nikon FM3a, Nikon D70, Rollei AFM35
(Jihad Sigint NSA FBI Patriot Act)



In reply to: Message from Harvey.Arche at jp2hs.org (Arche, Harvey) ([Leica] Jill Greenberg's Distressed Children)
Message from images at InfoAve.Net (Tina Manley) ([Leica] Jill Greenberg's Distressed Children)
Message from ricc at mindspring.com (Ric Carter) ([Leica] Jill Greenberg's Distressed Children)
Message from ricc at mindspring.com (Ric Carter) ([Leica] Jill Greenberg's Distressed Children)