Archived posting to the Leica Users Group, 2006/03/19

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Subject: [Leica] Don's PAW 11 Enigma in three
From: tedgrant at shaw.ca (Ted Grant)
Date: Sun Mar 19 07:41:06 2006
References: <9b678e0603190610i3558cde3i92c885792b6335d9@mail.gmail.com>

Don Dory showed:
Subject: [Leica] Don's PAW 11 Enigma in three


>>>This week brings us to three busnessmen who seem to be trying to decide
something.  Three views of the problem it seems.

http://gallery.leica-users.org/album337/Threemen <<<<

Hi Don,
Very interesting with the focus point right on the mark to make the shot 
work. To have focused on either the near or far man it wouldn't have had the 
same impact.

Not to forget, it's a perfect example of "shooting from the shadow side" by 
luck or otherwise. ;-) But in your case I'd say it was seeing the light, 
without thinking about it and re-acted to both light and expression.  Click!

This type of lighting, Rembrandt lighting, makes him stand out more so than 
if he were lit flat frontal light. Because of the "shadow-side" on the face, 
his expression is accentuated making ther expression stand out more so.

Well done in quite probably a split second moment.

ted


Replies: Reply from don.dory at gmail.com (Don Dory) ([Leica] Don's PAW 11 Enigma in three)
In reply to: Message from don.dory at gmail.com (Don Dory) ([Leica] Don's PAW 11 Enigma in three)