Archived posting to the Leica Users Group, 2005/10/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks for the congrats, Tina, and you're most welcome for the link! For what it's worth: When using this split tone technique, I've found that it takes me a fair bit of time to really tweak the tones to avoid an over-sepia (and, to my eyes, cheesy) look and instead get just a subtle deepness of the tones that seems to extend the perceived tonal range _way_ beyond what I normally achieve...when I get it right I feel like I'm being drawn right into the print. And after tweaking on screen I always end up having to make several extra test prints to tweak some more, perhaps because the luminance of the screen seems to give a very different effect than I get on paper. Or perhaps because my screen's not that well profiled! Hopefully you have a better profiled screen than I...or you may have enough images in similar lighting to allow batching to work well...anyway, I hope it doesn't take you as long for each, because you have a lot more images than I do! I also discovered that this technique seems to work out best on images with large areas of dark, dark, dark...might be just the thing for some of your wonderful "in home" work. Best, Aaron At 09:33 PM 10/13/2005, you wrote: >At 08:56 PM 10/13/2005, you wrote: >>2) All are ones that I pseudo-split-toned using the guidance I found at: >>http://www.computer-darkroom.com./tutorials/tutorial_2_3.htm >>They make really nice prints, IMO. Maybe folks like the look of this >>treatment? >> >>Best, >>Aaron > >Congratulations, Aaron!! Those look great. I'll have to try that >technique. Thanks for sharing it. >Tina