Archived posting to the Leica Users Group, 2005/05/13
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This is an open invitation card with text for the Leica Galleryopening
reception.
Cheers,John_______________________________________________________________
THURSTON HOPKINS
A Song of the British 20
May - 18 June 2005 Reception: Thursday, 19 May, 6 -
8 pm English Cats - Ancient and
ModernPhotographs by Thurston Hopkins and Grace Robertson in the Gallery
Alcove In the Oskar Barnack Room: Remembering George Rodger (1908 - 1995)
* * * * *
Leica Gallery / 670 Broadway / New York City 10012 212.777.3051
/ Fax 212.777.6960 / leicaphoto at
aol.com________________________________________________________________"In
his life ? and his work ? [Thurston Hopkins] has always avoided theshowy,
the demonstrative, the self-congratulatory? he decided todevote his
life,himself, to photography. I suspect that the reasons for this decision
lieembedded in his respect for craftsmanship, and his congenital
unpretentiousness?he has never tumbled into the traps of cynicism,
opportunism, routine, fashionor sheer greed that await so many 'promising'
photographers. He could notoffer anything but his best. He would feel that
he was wasting histime ? that hewas being frivolous? Warm Humanity is what
he claims to admire most in otherpeople. It is precisely that quality,
compounded with an instinctivegenerosity of spirit and consummate
craftsmanship that has madeThurston Hopkins'collection of photographs a
revealing record of his time ? and of himself." -Robert Muller, Thurston
Hopkins (Gordon Fraser Photographic Monographs, 1977)
In a major critical review of Thurston Hopkins' Picture Post work, ? LIFEwas
our equivalent ? the noted art critic, Waldemar Januszczak, wrote in
theSunday Times ("Trend of an Era" (London/March 28, 2004): "Picture Post
was the1950s in magazine form, the record of post-war England. Its great
talent wasThurston Hopkins ? who photographed the biggest stars and wasn't
afraid toilluminate the dark side of life? Hopkins could only star in a film
ifhe took theDavid Niven role. What a charmer. What a gentleman. What an
instinctivewearer of the cravat. Between 1950 and '57, Hopkins was the star
photographer onPicture Post? To be a star photographer on Picture Post was
to hold thisnation's soul in your grasp. And Hopkins once held a sizable
slab of it in his?He's one of our finest British photographers. It's an
honor to meet him."
Thurston Hopkins was born in England in 1913, the son of the
biographer,Robert Thurston Hopkins. He attended Brighton College of Art and
trained as amagazine illustrator, later working as a freelance graphic
artist forboys' booksand women's magazines. During the Depression years of
the 1930s, he worked asa draftsman at the Fleet Street photo agency,
Photopress, designing heraldicsettings as part of an exclusive collection of
photographs of the then Princeof Wales. After the subsequent abdication, the
project was abandoned and it wassuggested that Hopkins try his luck with
photography. From his beginnings innewspaper work (sometimes five to six
assignments per day), his photographsbecame more and more frequently seen in
the emerging picture magazines. WhenWorld War II intervened, Hopkins
volunteered for the Royal Air ForcePhotographicUnit. During these years
overseas, Hopkins acquired his first Leica in Italy- "The first camera I can
recall handling without a certain feeling ofdistaste."
After the war, Thurston Hopkins became a freelance photographer and then
wasinvited to join the staff of Picture Post. His first assignment was the
"Catsof London." A selection of these early photographs forms a part of the
smallexhibition in the gallery alcove shown with those of his
photographer-wife,Grace Robertson. On the staff at Picture Post until its
demise in 1957, Hopkins'assignments were worldwide; nevertheless, much of
his most significant workconcentrated on aspects of British life from which
the images in this exhibitionhave been chosen. During his eight years at the
magazine, he was honored bytwo Encyclopedia Britannica British Press
Pictures of the Year Awards for hishard-hitting social photojournalism. One
was for his photographic expos? of theliving conditions in the Liverpool
slums, of which the British Journal ofPhotography commented in 1957: "Here
is superb photography, stark inits realism,an example of photographic
journalism at its very best. The pictures telltheir own story, carry their
own message? and should be seen and carefullystudied by all photographers."
After Picture Post closed, Thurston Hopkins set up his own studio in
Chiswickand for the next decade became one of London's most in-demand
advertisingphotographers. In 1968, he took up a lectureship at the
pioneering GuildfordSchool of Photography, helping to train a new generation
of students inphotographic philosophy and technique. Now a full-time
painter, he andhis wife, GraceRobertson (whom he met when they were
colleagues at Picture Post) live atSeaford in Sussex.
A major exhibition, "Thurston Hopkins: The Golden Age of Reportage," washeld
at the Getty Images Gallery in London (2003 ?2004) and at The
NationalTheatre (2004). Roger Hargreaves, senior curator of London's
National PortraitGallery, has said: "Thurston Hopkins is one of the great
masters of the picturestory." His work is cited in such publications as
Rosenblum's A History ofWorld Photography (1997), Tausk's Photography in the
20th Century(1980), and ThePhotography Book (1997). Much of his work is in
the Getty Images'Hulton/Archive and is a part of major public collections
including TheVictoria and AlbertMuseum, London and the Museum of London; The
Metropolitan Museum of Art, NewYork; The Museum of Photographic Art, San
Diego; and the J. Paul Getty Museum,Los Angeles.
It is a distinct honor to be able to present at Leica Gallery the
photographsof Thurston Hopkins: a master-photographer and our personal
friend.
Rose and Jay Deutsch
On-site Directors