Archived posting to the Leica Users Group, 2005/02/27
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> But > when we talk about photography as art, then pretty much anything goes: > the line between what is real and what is the imagination of the artist > goes away. Back to where I left off in this discussion....sort of: I appreciate creative ventures of most type...the effort, sometimes the intent, occasionally the result. Thus, PS'd photomontage/collage/mixed media "thingies" don't arouse my ire. I am challenged by some of them, left cold by others. In the same way, Diane Arbus doesn't do it for me. Walker Evans does...the mysterious vagaries of taste. With the newer "photo" approaches, I suspect I am feeling the unease that any and all generations have felt in the presence of significant changes in artistic expression. I know how to "grok" a Walker Evans photo, in part because I view it with a measure of understanding about what it took to get the image on the gallery wall in front of me. I do not know how to "grok" one of Gene Gort's media creations, at least not yet, because in part I don't know how he created his production. (In fact, I don't even know where to stand with respect to one of his. In one of his recent installations, I was stymied by not knowing "how" to view it.) I don't know the grammar of the newer mixed media creations, yet. (And maybe that is one of the points...deconstruct the old hegemonic grammars of representation...) And, as long as I keep trying to learn, and pressing that shutter, and have enough film, I'll be happy! Ken Frazier