Archived posting to the Leica Users Group, 2004/08/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]The death of HCB today means a great loss to the photo world. I know in the past that some Luggers have been critical or less than impressed with the man and his photos. As a working photog I began to appreciate them in the early 90's. I , like other photographers travelled around with multiple motor driven nikons and bags full of lenses. On one occasion I was covering a Buffalo Bills game and my freelancer friend from Buffalo had 5 nikon F3 bodies with lenses from 24 to 600. During the game he shot 30 rolls of Tri-X! The New York Times used one photo. When I bought my first Leica M4P and began to shoot with it I began to think more of each individual image, inspired by HCB. Once I added my M6, I began to do more news jobs with the rangefinders. More and more of my assignments for the Toronto Star (Canada's largest paper) were done with the rangefinder. I even photogrphed Canadian radio personality Peter Gzowski of CBC towards the end of his career for the New York Times. On the day of that shoot his staff wondered where my equipment was so I pulled out my M6-- they looked confused! I used 2 or 3 rolls of Tri-X and shipped to New York. The Times was expecting more film but did admit each frame was different and unique. The picture was used on page 4 on the International page. Cartier-Bresson showed me to look or watch for that moment when everything comes together---That Decisive Moment!! My most published photo of a little girl on a streetcar shot on a M4P, black and white film, taken in Cuba was just that kind of HCB photo. Thank- Henri for a wonderful body of work and inspiration. Kevin Argue St. Catharines, Ontario Canada