Archived posting to the Leica Users Group, 2004/08/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>Feli wrote: > >I was up at the Getty Museum this weekend visiting one of their photo >exhibits. One thing that always strikes me is the quality of the >vintage b/w silver prints. They are incredible lush and rich. Their >tonal scale is to die for with a creamy smooth tonal scale all the >way from the shadows to the highlights. I've never seen a modern >print that looks remotely as good. So, what is it? Certainly the >uncoated lenses (taking and enlarging) may have something to do >with "the glow", but my guess is it's the paper. True? False? Maybe? >Does anyone still make anything even remotely like that today? > Feli Silver based print is silver based print just like "there is nothing like glass" or "nothing like leather." I believe that both the paper and the embedded silver halide work hand in hand produce those fine prints with the tonality and depth of blackness (or greyness) that we admire so much. Digitally generated images jet spray dyes on paper and is basically surface job. I send my .jpg images to my photofinisher who prints them on colour photopaper. This is better than the spray jobs done at home but still lack the 3-D effect and look that I easily achieve from film based images. Tweaking images with photoshop consumes time. I believe that some people are already addicted to digital manipulation. What you are seeing are hand crafted photos painstakingly made piece by piece. No two are exactly the same although the same batch done the same way may be very close. Current mindset is one of immediacy and efficiency and digital imaging delivers the goods in quick time. Efficiency and expediency does not always translate to quality. Dan K