Archived posting to the Leica Users Group, 2004/05/25

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Subject: [Leica] The Critic
From: aaron.sandler at duke.edu (Aaron Sandler)
Date: Tue May 25 08:46:46 2004
References: <007801c4421a$c07bd3a0$87d86c18@ted> <20040523152658.9340.qmail@web41011.mail.yahoo.com> <001f01c44198$a6960320$87d86c18@ted> <01e701c441cd$42e87c10$0200a8c0@Desk> <007801c4421a$c07bd3a0$87d86c18@ted>
 
I must say that I'm with Ted on Bill's "The Critic."  I think it's a great 
example of a decisive moment.  It looks to me like the subject was waving 
her arms around while talking and I think Bill timed the shot perfectly to 
get her arms in the right place.  I bet that this shot captures the feeling 
of the interchange much better than a shot a half-second before or after 
would have.

I think the puddle shot is a decisive moment, and I think this is 
also.  All "The Critic" is missing is HCB's name on it.  ;)

At 11:17 AM 5/25/2004, Paul Hardy Carter wrote:
>Well, yes Ted, it is. You really can't see the difference?
>
>P.
>
>At 10:40 pm -0700, 24/5/04, Ted Grant wrote:
> >And I suppose jumping over a puddle is such a big deal?
> >
> >ted
In reply to: Message from tedgrant at shaw.ca (Ted Grant) ([Leica] The Critic)
Message from bill_clough at yahoo.com (Bill Clough) ([Leica] The Critic)
Message from tedgrant at shaw.ca (Ted Grant) ([Leica] The Critic)
Message from robertmeier at usjet.net (robertmeier@usjet.net) ([Leica] The Critic)
Message from paul at paulhardycarter.com (Paul Hardy Carter) ([Leica] The Critic)