Archived posting to the Leica Users Group, 2003/11/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Well, some people are better at directing than others. And also, direction need not mean _overspecifying_ - but it could mean saying, why don't you all go over and sit in that doorway and play with the baby for a bit while I take some pictures. The fact is we are all actors all the time, and a good photographer knows how to leverage that to get what he wants. - -- Rob http://www.robertappleby.com Mobile: (+39) 348 336 7990 Home: (+39) 0536 63001 All outgoing email scanned by Norton AntiVirus (TM) 2003 Professional Edition. - ----- Original Message ----- From: "Tina Manley" <images@InfoAve.Net> To: <leica-users@mejac.palo-alto.ca.us> Sent: Monday, November 03, 2003 7:06 PM Subject: RE: [Leica] re: The Decisive Moment is gone > At 10:20 AM 11/3/2003 -0700, you wrote: > > >Does it matter that Kertesz directed some of his pictures? The photograph of > >two lovers kissing on a park bench is iconic - on postcards everywhere. Does > >it matter that they were his friends, who were in love, who he asked to sit > >on the bench and embrace. Or that Gary Winogrand - regarded by most to be > >the "the" maestro of street photography - would "insert" his children in a > >scene ("Go on in > > > there and do something interesting.") as the picture needed just that one > >additional thing for it to work. > > > >Not in the least they are still as real - and as fictitious - as if they had > >come across them by happenstance. > > It matters to me, as the photographer. Somehow a spontaneous, unposed > photograph tells more about the people in the photograph than about the > photographer. A photo like this > one: http://www.leica-gallery.net/tinamanley/image-29684.html > tells me about the relationship between the father, mother, and baby. If I > had directed them - now you sit here in the doorway and hold the baby and > you hold out your hand to touch the baby's hand - then the photograph would > be about acting and directing, not about feelings. It would be an ad for > bluejeans or straw hats instead of a moment in real lives. I hate > "life-style" stock photographs for that reason. > > It might be subtle difference, but, to me, it's there. > > Tina > > > > Tina Manley, ASMP > www.tinamanley.com > > > -- > To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html > - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html