Archived posting to the Leica Users Group, 2003/06/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Oliver, You would think it was a likely error, as many people (including editors) have never heard of phi, and would think it is a typo and change it to pi. In the context of what was quoted "the formula for the golden section, the mathematical rule of aesthetic balance which has been used by artists since antiquity" you would also seem to be right. So, someone has it wrong. There is the possibility that HCB himself had it wrong (e.g., John Banville quoted correctly). Consider that two other sources also refer to pi, not phi: "Its stereotypes are remarkable by their balance between shade and light and their nearly perfect symmetry (the photographer had a theory of "pi")." http://www.gazette-drouot.com/gazette/exposition.html "With pulling, balance perfect between shade and light, between vacuum and full, right report/ratio, this famous "pi", a transcendental number to which always Cartier-Bresson refers.." http://www.cinethea.com/art_sorties_photo.html What we need is an HCB scholar, or something written by HCB, to help decide whether Banville quoted wrong, or whether HCB had it wrong. I just happened to pick up a copy of "The Golden Ratio: The Story of Phi, the World's Most Astonishing Number" by Mario Livio. I will let you know if HCB is mentioned (but I doubt it). Regards, Bob Rose Oliver Bryk wrote: . . . I suspect that John Banville made a mistake in quoting HCB who probably said, "but I do believe in Phi." Pi makes no sense in this context. . . . Is there a mathematician in the house who can confirm or contradict my supposition? - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html