Archived posting to the Leica Users Group, 2003/06/22

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Subject: Re: [Leica] HCB and Geometry
From: Slobodan Dimitrov <sld@earthlink.net>
Date: Sun, 22 Jun 2003 18:40:30 -0700
References: <000401c3391b$a63e3220$6401a8c0@YOURF68DMBR429>

Groan! 
Gallic orientalism!
This is enough to reread Celine! 
Slobodan Dimitrov


Oliver Bryk wrote:
> 
> Steve wrote:
> "I seem to remember the man himself said it was about geometry.
> Steve
> - -----Original Message-----
> From: owner-leica-users@mejac.palo-alto.ca.us
> [mailto:owner-leica-users@mejac.palo-alto.ca.us] On Behalf Of bdcolen
> Sent: 21 June 2003 22:22
> To: leica-users@mejac.palo-alto.ca.us
> Subject: RE: [Leica] HCB Did It All First
> Did someone claim there was a "message" in the work? I missed that one.
> Given that the work is about composition and form, I think message is the
> last thing one would be looking for."
> 
> I quote from the book review by John Banville about which I posted a short
> note about a week ago: "...as everywhere in his work, he has, one might say,
> humanized geometry. Asked about this, he will not comment, but his wife nods
> firm agreement. He ponders awhile. "I don't believe in God," he says, "but I
> do believe in pi." Pen and paper are produced and he dictates some numbers.
> It takes me a moment to recognize the formula for the golden section, the
> mathematical rule of aesthetic balance which has been used by artists since
> antiquity. He smiles his Zen master's smile. He is right, of course:
> everywhere in his work the field of vision - apt phrase! - is portioned out
> according to this formula; his eye divides the peopled world according to
> the rules of the golden section." (The New York Review, July 3, 2003)
> 
> Oliver Bryk
> 
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In reply to: Message from "Oliver Bryk" <oliverbryk@attbi.com> ([Leica] HCB and Geometry)