Archived posting to the Leica Users Group, 2002/12/02

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Subject: RE: [Leica] What Makes a good Picture?
From: Henning Wulff <henningw@archiphoto.com>
Date: Mon, 2 Dec 2002 15:27:08 -0800
References: <004c01c29a46$1ac017a0$0316fea9@ccasony01>

At 4:02 PM -0500 12/2/02, bdcolen wrote:
>Don't like Hockney, eh?
>
>And his theory doesn't make sense because...?
>
>-----Original Message-----
>From: owner-leica-users@mejac.palo-alto.ca.us
>[mailto:owner-leica-users@mejac.palo-alto.ca.us] On Behalf Of S Dimitrov
>Sent: Monday, December 02, 2002 3:32 PM
>To: leica-users@mejac.palo-alto.ca.us
>Subject: Re: [Leica] What Makes a good Picture?
>
>
>Ah yes, the artist as a poseur photographer, now historian. Good grief!
>Slobodan Dimitrov
>
>
>bdcolen wrote:
>>   David Hockey and his theory that the great leap
>>  forward in drawing and painting in the early 15th century was a result
>
>>  of the use of optics - the Camera Obscura - to allow the tracing of
>  > images...h

I probably shouldn't jump in here as I don't have any references at 
hand, but hey, that hasn't stopped LUG traffic before.....  :-)

I believe the Camera Obscura/painting advance idea was proposed over 
a hundred years ago at least. I believe I've seen references to this 
from the middle of the 19th century.

- -- 
    *            Henning J. Wulff
   /|\      Wulff Photography & Design
  /###\   mailto:henningw@archiphoto.com
  |[ ]|     http://www.archiphoto.com
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In reply to: Message from "bdcolen" <bdcolen@earthlink.net> (RE: [Leica] What Makes a good Picture?)