Archived posting to the Leica Users Group, 2002/04/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]You don't have to labor over an 8x10 neg in the darkroom to appreciate Ansel Adam's darkroom craft. All you have to have done is gone in a darkroom once and tried to print anything, and you understand what he was able to accomplish. However, before you suggest that it's such a snap to make "perfectly beautiful digital prints," I suggest that you don't know what's involved in doing that until you've spent "hours" in front of a monitor "trying to get a(n image) just right." It's done in daylight, and it's a dry process - but it is not a snap by any stretch of the imagination. Same kinds of challenges; different set of tools. B. D. - -----Original Message----- From: owner-leica-users@mejac.palo-alto.ca.us [mailto:owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of Allan Wafkowski Sent: Tuesday, April 23, 2002 4:23 PM To: leica-users@mejac.palo-alto.ca.us Subject: [Leica] Re: Ansel Adams on PBS TV As in anything, there are some people who can't appreciate a craft without having the experience of having done it themselves. I think that if you have spend hours in a darkroom trying to get a print just right, you are better prepared to understand the excellence of Adam's work. Perhaps it's confusing at this moment in time with the advent of the digital "darkroom." One can make perfectly beautiful digital art and still be unaware of the craft of the darkroom. Allan On Tuesday, April 23, 2002, at 10:42 AM, Henry Ting wrote: > He is both a craftsman and an artist who knows how to > control the result he wants. It's an art he fine-tuned > to a point that he has total control over his style. > Now, not all people like his work, but there is no > denying that he developed a style that is uniquely > his. - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html