Archived posting to the Leica Users Group, 2002/04/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks,_that_was very helpfull. I don't know what could of gone wrong, I only left the camera on for 5 days after running 60 rolls of film:-) Slobodan Dimitrov Guy Bennett wrote: > > >Guy; > >Very sluggish response wide open. Also, there seemed to be a great > >amount of fluctuation or uncertainty. At other times all the lights > >wanted to stay on. I have new batteries in it. ???? > >Slobodan Dimitrov > > As for the sluggish response and light wanting to stay on, yes, sounds like > you need new batteries. As for the fluctuation or uncertainty in the > reading, that might be due to the vignetting of the lens wide open, which > will also effect meter readings. > > I'm appending a post by John Collier and a response by Henning that discuss > the way metering can be effected when using the Noctilux wide open. I'm not > sure if this will help, but it sure cleared up some questions I had about > the issue. > > Good luck and let us know how this gets resolved. > > Guy > > * > > At 12:00 PM -0700 11/15/01, John Collier wrote: > >It is not that the Noctilux and Summilux are not true f/1 or f/1.4 lenses > >but that, under certain lighting conditions, the inherent wide-open > >vignetting will affect the metering area and you will not get a strictly > >geometrical shutter/aperture relationship happening. The meter is not being > >fooled if you do not follow it, it will underexpose. I have dug up the scans > >from the last time this came up and if someone would like them, just let me > >know. > > > >John Collier > > As John wrote, the apertures of the Noctilux and Summilux are truly > f/1 and f/1.4, and if you follow the normal sequence, you will get > correct exposure at f/1 and 1/1000 sec if you otherwise get correct > exposure at f/2 and 1/250sec. However, this is only true at the > center of the frame. The further you go to the edges, the more > underexposed the shot at f/1 is relative to the shot at f/2. The > metering in effect compensates slightly for this, because the falloff > is strong enough to affect the total amount of light that hits the > white spot (which is what gets metered) and thus the meter expects a > slightly greater amount of exposure at f/1. If you check this out > carefully, and do the exposure series at a constant light level, > varying aperture and shutter as accurately as you can according to > the meter, you will find that the center of the shots at f/1 is > slightly overexposed compared with the other shots. > > If you check your very fast SLR lenses, especially the normal to > wider ones, you will find the same metering anomaly. This applies to > full area, centerweighted and matrix metering; not spot except in > certain cases where off-center spot metering is possible like on > recent Canons. > > If your camera does not seem to do this, the area you are trying to > meter is maybe such that f/1.4 at whatever would actually give you a > slightly overexposed (by 1/6 stop or less) shot, while f/1 at the > next higher speed would then want to meter just at the lower edge of > the meter's agreement. > > In practice, this is all nothing to worry about. Just match the > little lights as you normally do, and shoot. True, at f/1 the meter > will ask for slight overexposure, but human tendency is to kind of > push things at lower light levels, and this compensates a little bit > for that, and besides, if you look at metering accuracy graphs, > you'll see that most exposure meters are not dead on the whole way > across the aperture range, and tend to underexpose slightly on the > darker end, which also compensates for the effects noted. > > Lastly, this whole exposure thing is not as much of a science as is > sometimes made out (unless you are mainly shooting completely evenly > lit brick walls) and bracketing can be useful if greater accuracy is > required. Film can be off 1/3stop as well as processing, and these > factors are often greater than any metering discrepancy. The best way > to handle this is to practice with the film and processing of your > choice, in conditions that you normally shoot, and meter accordingly. > > -- > * Henning J. Wulff > /|\ Wulff Photography & Design > /###\ mailto:henningw@archiphoto.com > |[ ]| http://www.archiphoto.com > -- > To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html > -- > To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html