Archived posting to the Leica Users Group, 2002/02/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]One of Erwin Puts newsletters comments that Tmax 100 is the finest grained of the pictorial films. I am inclined to believe him. There were a few rolls of Tmax 100 on my shelf that I decided to try yesterday. I was off to shoot some more eagles, but it was too cold and the birds were in the woods up in the evergreens and out of range, rather than in the Elm trees and near the side of the road. I then decided to try some B&W with the M6 and M3 and shoot some snow scenes. A few of the results are at the page below. One thing I learned is the grain of the Tmax 100 is much finer than that of the Tmax 400 which I usually shoot. It also seems to be much harder on fixer. I develop in a Jobo and the fixer is used one shot. On the Tmax 100 negatives there were little spots where the base didn't clear. It looked like a lot of dust on the negatives when I scanned them. There were also larger spots near the sprockets where the negatives didn't clear. I am using an Agfa concentrate for fixer and I guess I will just have to mix it a little stronger for the Tmax films. Kodak warns that fixer exhausts quicker with Tmax. Comments are welcome on the images. They were shot with a 50mm Summicron, 35mm Summicron ASPH, and 24mm ASPH. I used yellow and red filters. The film was developed in Xtol 1:1. http://home.istar.ca/~robsteve/photography/BW.htm Regards, Robert - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html