Archived posting to the Leica Users Group, 2002/02/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]"Heliography, as Niepce described it in 1829 in his 'Notice sur l'heliographie', may be divided into two different methods: - - Copying, by the action of light, existing image (engravings) wchih had been made transparent by means of varnish. The light-sensitive intermediary was bitumen of Judea. This procedure formed the basis of later techniques (particulary photogravure). - - Copying "viewpoints" in the 'camera obscura', that is, obtaining images directly from nature (often taken from a bedroom window), in black and white and with true tonal values (a 'positive') by means of differential changes in the solubility of bitumen of Judea. This was the technique used for the view of Niepce's estate, Le Gras, rediscovered in 1952. This view from the window at Saint-Loup de Varennes (a pewter plate undoubtely dating from 1826-1827) is in the Gernsheim Collection at the University of Texas, Austin." Source: "A new history of photography", edited by M. Frizot, p. 20, Koeneman 1998 The first technique is used in Nipce's "Cardinal d'Amboise" from 1826 (1820?)(which looks as "drawing"): http://www.museeniepce.com/coll/nicephore_coll_09us.html the second technique - the first "real" picture of the barn in Le Gras - you can find here: http://www.hrc.utexas.edu/photography/wfp/wfpmain.html And both are photo-graphs. Cheers Adam www.humanXL.com __________________________________________________ Do You Yahoo!? Everything you'll ever need on one web page from News and Sport to Email and Music Charts http://uk.my.yahoo.com - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html