Archived posting to the Leica Users Group, 2001/08/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Ken Lassiter wrote >I have stood in Salgado's Paris darkroom and watched him coach his >assistant in making his prints. He does not make them himself but >directs the printing by checking every print until he is happy with the >results. In 1992, I made a video program about Salgado which was >broadcast in April 1993 on the Kodak Satellite TV series, Techniques of >the Masters. There is a short shot in that video of Salgado working in >the darkroom with his assistant and in the dialogue, he describes his >working methods to me. > >Another famous master, Arnold Newman does the same thing. I believe >many photographers do not make their own prints but closely supervise >the printing. Jay Maisel does so even though he is working all >digitally today and prints on an Epson printer. His assistants sits at >the computer with Jay looking over his shoulder and evaluating test >prints. Salgado's printer for the last four or five years has been Dominique Granier. There was an interesting and rather highly detailed article in Reponses Photo (#98, May 2000)--in the context of a 30-page feature on Salgado, his work, and the, er, institution he is becoming--about Granier and his work with Salgado and Amazonas. In addition to specifics about enlargers, lenses, paper, chemistry, etc., there was a detailed before- and-after illustrated discussion of three images, showing the straight print, discussing some of the adjustments made, and then showing the final print. Interesting stuff. I have the strong impression that Granier is not so heavily supervised as you suggest that Salgado's 1992 printer was. Regards Daniel Bowdoin