Archived posting to the Leica Users Group, 2001/05/31
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In a message dated 5/31/01 12:04:37 AM Pacific Daylight Time, owner-leica-users@mejac.palo-alto.ca.us writes: > Hi Dave, > > I think each of us has to make his own rules on these matters. My own rule > is > that I will not anything in Photoshop that I did not or could not do when I > was > printing in the wet darkroom. This means for me that the following > activities > are permitted: > > - - cropping > - - correction of exposure and contrast using levels and curves > - - dodging and burning > - - removing dust marks and scratches > > That's it for me. All these things are directly analogous to wet activities. > The > only digital-specific thing I use is unsharp masking, but I view that merely > as > a means to compensate for the imperfections induced by the scanning process. > > I definitely draw the line at Gaussian blur and the like. Also, my > experience > with exposure correction is that it can only go so far. If a slide or > negative > is grossly under- or overexposed, I do not find Photoshop much more useful > than > the darkroom. Just as you cannot create something out of nothing on the > enlarger, you cannot do it in Photoshop. > > These are my rules and they work for me. They have allowed me to avail > myself of > the conveniences of scanning and inkjet printing while still retaining the > feeling of doing "real" photography. But I have no desire to impose these > rules > on others. > > Nathan > > "Rodgers, David" wrote: > > > Personally, I don't think digital manipulation is what Leica photography > is > > all about. Especially Leica M photography -- which I feel in it's pure > form > > is b/w full frame printing. Maybe there isn't a difference between burning > > or dodging in the darkroom and using a sliders to adjust levels, or > cropping > > in Photoshop or raising and enlarger head. I think there is. Just my > > opinion, for better or worse. "Is that bokeh, or is that digital blur?" I > > have a hard time knowing these days. > > > > Dave > > - -- > Nathan Wajsman > Herrliberg (ZH), Switzerland - -------------------------------------------------- Nathan, Yours is probably one of the most illuminating policies vis a vis digital printing I've read. If we must compromise with neophotography, then your guidelines are the most honest. Best, Bob Rosen