Archived posting to the Leica Users Group, 2001/05/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]i have been through that problem of carrying 2 M bodies with same film and as you mean it gives a very usefull flexibility. But my offer to you is to use 35mm with 90mm which is a perfect combination. with a little bit of cropping in printing ( without any lost in sharpness ) you can catch any lenght beetwen 35mm and 90mm and also 90mm gives me a perfect naturel potraits without disturbing the models, does'nt know that they've been pictured. Metin Akkas - ---- Original Message ---- Kimden: david.rodgers@xo.com Kime: leica-users@mejac.palo-alto.ca.us, Konu: Ynt: [Leica] Two bodies two film types Tarih: Tue, 29 May 2001 11:46:39 -0500 >For years the primary reason I carried two bodies was to shoot two >different >types of film; color and b/w. Frankly, I rarely used both. I'd >either found >myself to be in a color or a b/w mindset. So one body usually went >unused. >It became a lens holder, and little more. > >A while back I had occasion to shoot both bodies with the same film >(new >D400 not that it matters). Using two bodies interchangably with the >same >film has really opened my eyes. First, there's a real freedom in >being able >to use either of two lenses without having to swap anything. And I >don't >even mean vastly different lenses. I've primarily been using the >35/1.4 and >50/1.4, and less frequently a 28. I've come to appreciate that the >35 and 50 >are very different focal lengths. I've owned and used both for >years. But I >either used one or the other. Never both. Even if I had them with >me, I >never felt it worth the effort to change. If the 35 was a little >wide, I >just used it anyway. If the 50 was a little tight, again, I just >used it >anyway. > >I've had reasons to shoot lots of film over the past several weeks. >I've >carried two M6s -- same film, different lenses. I find myself >switching from >one camera to the other quite often. It's really opened my eyes to >the >difference between the 35 and 50. I always photograph with the goal >of >printing full frame. I don't like to crop. Having two bodies that >can be >used interchangably is almost like having an M zoom. Why not just >use an R >with a 35-70 zoom? That's something I've considered. But one reason >I like >the M option is maximum aperture. Not too many f1.4 zooms. Secondly, >using >an R with a zoom for me is more cumbersome than carrying two M6s. I >usually >know which body (lens) I want as soon as I see something. I very >rarely >preview and then switch. > >It's taken me a long time to learn that two bodies with only one >film type >is really handy; and in many ways much better than using two >different types >of film. Still, can't help that I have the urge to get a third M6 >for some >color film. Old habits die hard. > >Dave > >PS I'm curious if anyone else carries two bodies with two different >types of >film (not for ISO reasons, but b/w, color trans, or color reversal). >Conversely, do many people shoot two bodies with the same film? >Personally, >I find it really difficult to switch between between color and b/w. >Before I >get started shooting, yes. But after, no. >