Archived posting to the Leica Users Group, 2001/01/31
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]LUGGERS, Many years ago, Walter Moffatt, then Manager of Leica Technical in the US (now retired) said, "F/8 is the great equalizer. Any good lens will give excellent performance at f/8, but really great lens will give excellent performance f/2.8." Believe it or not, there are other very good lenses out on the market. Secondly, it is my understanding at the National Geographic, they have always supplied their STAFF photographers with whatever equipment they wanted, regardless of brand. (Today, they only have five or six staffers.) Furthermore, they would repair or replace the equipment of non-staff contract photographers and some other free lancers, if it was damaged on a Nat Geo assignment. Contract and free lancer have to supply their own basic gear. Specialized stuff is either supplied by or created by the men of the equipment room. A few years ago, when Jim Stanfield was using Leica reflex cameras, there was some talk about the high cost of the maintenanceon his cameras. (They went to Leica USA after each assignment.) Their idea of how to save money was to have one of their techs undergo training at Leica Germany after a Photokina. I hope this clears up some of the questions. Happy Snapping, Sal DiMarco, Jr.