Archived posting to the Leica Users Group, 2001/01/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks Mark. I agree with you totally which is why I alluded to it in the text. I had a, for me, large backlog of over 15 films to scan and began with the transparencies. After a while I got bored with all colour, and developed one of the exposed black and white films. I had developed and scanned all of the other B&W films before I looked at the next colour one. There was something about the B&W images that just wasn't there in the colour ones. Steve - -----Original Message----- From: owner-leica-users@mejac.palo-alto.ca.us [mailto:owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of Mark Rabiner Sent: 24 January 2001 23:26 To: leica-users@mejac.palo-alto.ca.us Subject: Re: [Leica] Vanity photos Steve Unsworth wrote: > > I've added an album of colour Parisian photographs to my web site, criticism > welcome - as has been expressed elsewhere, criticism should be seen as a > positive thing. > > The web site can now be found at the rather grandly named > www.steveunsworth.com > > Steve Unsworth It's amazing the POWER of the black and white (your first two sheets) making the color look like snapshots. (In comparison). A testament for the power of black and white. Great shots Steve! mark rabiner I'd put the color first so that doesn't happen.