Archived posting to the Leica Users Group, 2000/12/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>just occurred to me that a better definition of "art" may be not to see >it an independent property of an artifact or object, but as something that >exists only in the interaction between a person and that object. In other >words, nothing is art, until there is someone to see, listen, or otherwise >experience it. (No sound of trees falling jokes, please! ;) bingo! i entirely agree. this is the point i was trying to make. >Consequently, the question of whether Sherman's photography is art cannot be >universally answered. It is art to me. It might be (shallow) art to B.D. >It isn't art to Nick. To Benneton it would be an ad campaign. > >M while the question cannot be *universally* answered, it is, to a certain extent, answered by the majority. duchamp's "fountain" (the once infamous upside-down urinal) - originally an "anti-art" statement rejected by the salon des indépendants to which it was submitted - has since been elevated to the status of art object and has been displayed in museums around the world, because people's definition of art has broadened to include such works as art. interestingly, the "ready-made" is quite appropriate to the present discussion since its ultimate status depends on our perception, something duchamp cleverly anticipated. hans richter includes the following statement on duchamp's ready-mades in his "dada: art and anti-art": [duchamp] declared that these ready-mades became works of art as soon as he said they were. when he 'chose' this or that object, a coal-shovel for example, it was lifted from the limbo of unregarded objects into the living world of works of art: looking at it made it into art!" guy