Archived posting to the Leica Users Group, 2000/12/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]on 12/4/00 3:52 PM, Johnny Deadman at john@pinkheadedbug.com wrote: > on 3/12/00 4:04 pm, Dean Chance at mreyebal@pacbell.net wrote: > >> As for the complaints that Mapplethorpe is technically adept photographer >> who is only well-known because of his subject matter...well, couldn't you >> say the same of Ansel Adams? ("He's only famous because he took pictures of >> Yosemite. It's all high-class nature porn.") > > He is a photographic wordsworth in many ways... a man who > attempted to penetrate the sublime and occasionally did but who more often > fell victim to his own prosaic limits, without ever really celebrating them. > I was once shocked to see a quote from Elliott Erwitt which went, in part, "...this is not the same thing as the quality of Ansel Adams, which, if I may say so, is the quality of a postcard." It always seemed that Adams was beyond criticism, particularly here in Northern California. The shock came from seeing that an actual photographer agreed with my amateur opinion. I viewed some of his large prints at a gallery in Carmel a few times and, postcard or not, the technique IS totally amazing. But, yes, all too often I felt they were pictures OF something, not pictures ABOUT something. I had a different reaction to Weston's peppers, which to me seemed to be about the mystery of creation. I don't know if I could defend either of these positions in a debate. All I can say is that it's a tough racket and even the greats churn out crap at times. The difference between me and Ansel Adams is that, with me, it's pretty much all crap. Dean Chance