Archived posting to the Leica Users Group, 2000/11/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Robert Appleby jotted down the following: > Maybe there are really two concepts here, film-plane DOF and print DOF? The > latter can be varied by enlarging the negative more or less, but the former > is determined solely by subject distance, focal length and aperture. What you call film-plane DOF is not soley determined by subject distance, focal length, and aperture. It is also determined (and this is *critical*) by the size of the CoCs that you are willing to accept. I believe that in 35mm photography, a standard circle-of-confusion size is 0.03mm. If you plug a different CoC size into the equations, the DOF will change even leaving the subject distance, focal length, and aperture the same. Once you stop thinking of DOF as an objective property and start thinking of it as "the zone of perceived sharpness around the focus plane", you realize that DOF "around" the subject, on the negative, and in the print are all just different ways of looking at the same thing. It is just a convenient, standardized representation of the limits of visual perception as it pertains to photography, and not conceptually different entities. Outside the equations, in the "real" world, DOF doesn't exist. M. - -- Martin Howard | There's a culture here which dictates that Visiting Scholar, CSEL, OSU| anyone who walks more than a few paces must email: howard.390@osu.edu | either be too poor to own [a car], clinically www: http://mvhoward.i.am/ | insane, or British. -- David Willis, BBCWS +----------------------------------------------