Archived posting to the Leica Users Group, 2000/11/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hey, George, to each his own...Because I get the same feeling scanning and the printing images on the computer that you describe, and I used to have, in the darkroom...I am burning, dodging, adjusting contrast, etc. etc. etc....I'm just using a different technology to do it....but it all comes down to producing that image on paper... B. D. George Lottermoser wrote: > danh@selectsa.com (Dan Honemann)11/2/0011:25 PM > > > And it touches on some topics recently debated here. > > Thoughts, as I worked in the darkroom, on some prints for an > upcoming show, this morning: > > This feels like a continuation of the original photographic > process of exposing the film ‹ handling the same piece of film > which was exposed to the subject - pushing light back through > that film - still focusing lenses - still working with apertures > and time in the same intuitive manner - exposing yet another > light sensitive emulsion - attempting to control values and > contrast with this amazing energy called light. > > And there is something about this darkroom work which allows for > such thinking. There is a slowed-down-time to contemplate, and > "feel" the process which is going on, both aesthetically and > technically a certain immersion in it. > > Just sharing thoughts. Not trying to say darkroom's better than > scanning and inkjetting, which I also find fascinating. It's just > that when working on the computer I don't have quite the same > feeling of continuity with the Lens/Light/Focus/Aperture/Time > phenomena. Rather my mind shifts to a whole other set of > experience and intuitions than when working in the darkroom. > > George