Archived posting to the Leica Users Group, 2000/10/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In a message dated 10/30/00 7:24:06 PM Eastern Standard Time, austin@darkroom.com writes: << One thing that separates recorded music from recorded images, is recorded images are 'presented', or 'interpreted', where recorded music is supposed to be as original accurate as possible. A photograph can be taken and printed in many many ways, as well as a painting can be painted many many ways... I believe there is far more 'artistic license' in photography than there is in recording music, and I've done both...I know there are some golden ear sound engineers who would differ... >> A very interesting point! However, it assumes that sound recording is to be considered, for aesthetic or artistic purposes, roughly the equivalent of photography. From my point of view, the performer is more directly comparable than the recording engineer to the photographer as artist, whether behind the camera or in the darkroom, be it wet or digital. This is because music is an art form which may achieve its ultimate realization only in the time dimension, requiring a "real time" intermediary. Once a work of art has been produced, although it is shown and seen in both space and time, it may be appreciated at the viewer's own pace. While the same applies to the recorded performance, the recording engineer has not been accorded the same license as the performer or conductor to interpret the musical scoreproduct,