Archived posting to the Leica Users Group, 2000/09/27
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]
This is Just to Say
I have taken
the cash
that you hid
under the mattress
and which
you were probably
saving
for our retirement
Forgive me
the Luxus was luscious
so reptile leathery
and so gold
* * *
In Salgado's greatest scenes we seem to see
In Salgado's greatest scenes we seem to see
the people of
the world
exactly at the moment when
they first attained the title of
'working
humanity'
They labour upon the paper
in a veritable stupor
of
antiquity
Heaped up
moaning with buckets and nets
under leaden
skies
in a apocalyptic landscape of slithering mud
bent robots ants arms and legs
quivering muscles
corpses and gelatinous giants
and all the last whispering ghosts
of the
'visions of the end'
they are so tragically real
it is as if we saw them too
* * *
Wow
I saw the best lenses of my generation destroyed by digital,
pixelated dotty fuzzy
rolling through the grainy streets at dusk looking
for a classic image
bluish nowwheres lusting for the 40s Cartier-Bresson obsession
with the instant moment from the machinery of light
who overwealthy and laden and right-eyed and scotched up sat around spending
in the screeny darkness of electronic abodes broadcasting across the
unnatural ether talking Elmar
who stripped their accounts to nothing under the spell of Barnackian visions dancing
on asphalt streets lit
by insufficient street lamps imagining Noctilux! Summilux! Gimme a 50s
Elmar (at least)
Bag ladies sleeping on benches! A parade! A motor drive! A winder!
Hexars blasting across parks! Nightmares of noise!
Real holy TTL (batteries not included)! Finder flare! Loading like a cripple!
Down to the darkroom! into the chemicals!
with the unmatched ball-bearing pin drops of shutter releases clicked out of their
own souls in just seventy-five years.
* * *
With thanks/apologies to Williams, Ferlinghetti, Ginsberg