Archived posting to the Leica Users Group, 2000/08/21
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In case you don't know the Washington Post has a nice 2 part article on "How to take Portraits" article by Frank Ripper. Go to http://www.washingtonpost.com then go to Camera Works. Steve Annapolis > Hi Luggers, esp. Ted, > > Some thoughts on portraiture: > >> Just wondered if anyone out there has done any "serious portrait work" >> using only window light? In colour or B&W, and what film/lens >> combination they used? > >> I mean portraits that challenge the "portrait studio " of >> strobes/hotlights ? > > I've had fairly good luck with this technique. All you need is > your Leica, a 90 (I'm a fan of the old Summicron), and a good tripod. > > Get a nice background set up, usually with the window which is your main > source of illumination a bit in front of the subject. You might want to have > a large piece of white poster board on the other side of the window to > function as a reflector to mute any strong shadows caused by the window's > light. > > Check your lighting. In general, you don't want more than about 4 stops > between the darkest and lightest portion of the picture. I prefer north > facing windows (Northern hemisphere, of course) or cloudy days. Adjust harsh > shadows with the white poster board(s). > > Make your subject comfortable, and let them know that the exposures will > be rather long, as there isn't much light, but there will be no flash. This > latter gets them fairly relaxed. Most people do not like strobes going off > into their eyes, and their anticipation of this does not add to the quality of > the portrait. > > Before you make an exposure, position your subject, and tell them to > relax and hold very still. Then take the picture. I use a cable release or > the self timer. The gentle click of the Leica shutter is a plus here. The > less the subject is disturbed, the better the portrait. > > Other thoughts: > > Shoot lots of film. For nervous subjects, the first roll is almost > always a bust. > > Most women, and a sizable number of men really glow if you ask them to > look at a happy baby held off camera. > > Have a good line of conversation. This requires practice. It's an > art, not a science, and you get better at making you subject look > good after you've done this a few times. > > Good luck, > > > Tom >