Archived posting to the Leica Users Group, 2000/08/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]on 10/8/00 9:17 am, BOB KRAMER at BobKramer@COOPERCARRY.com wrote: >> -----Original Message----- >> From: apbbeijing [mailto:apbbeijing@yahoo.com] >> Sent: Wednesday, August 09, 2000 10:32 PM >> To: leica-users@mejac.palo-alto.ca.us >> Subject: Re: [Leica] Re: Re: Leica 1 >> >> I had much the same reaction when I first saw the metal case >> of knives the >> chef at a friend's restaurant: why so many knives when I >> manage to cook with >> a couple of crappy knives in a crappy kitchen? Then I thought >> a little. >> Fortunately I had not spoken out loud. >> > > Why was your silence fortunate? Sounds like a reasonable question to me. > Just like me asking why in the world someone would need nine Leicas. But I > got it... your Leicas fail to work on an apparently regular basis, and no > one in the pacific rim is capable of fixing them in a timely fashion, and > airmail service to the US isn't available. Okay. I'm not a pro photographer but I HAVE had the experience of going to shoot something important (to me... the Mayday 'riots' in London) and having the camera (a T90) bug out on me on the first shot. Luckily I had my Leica in the bag. However I was stuck on the 28mm lens as there simply wasn't time to swap. I yearned for my second body... if I had been on a week long assignment somewhere where I was shooting every day I would have definitely felt better if there had been a third body back at the hotel so I could always be sure of having 2 bodies available. For a professional it's just business sense. The last thing any working pro needs is a reputation as unreliable. Cameras do go wrong. Getting it fixed the next day is no good when the shoot is today. The idea of fedexing it from the location to your dealer... ha ha ha! Maybe you should add the cost of your hotel and subsistence and car hire for the extra days to the repair bill, plus the lost work from the extra stay... even if whoever commissioned the photos is willing to have the deadline pushed and you're willing to tell them why it's been knocked back. "Oh yeah, my camera broke and I sent it back to LA. I'm pretty sure they'll be able to fix it... no, I don't carry an extra one... I mean, what's the point?" Film crews shooting on location have backup camera bodies ... worth many tens or even hundreds of thousands of dollars... with them. Any photographer or DOP who only has one working body available is going to be VERY nervous. In the case of film crews if one body goes down they will ship in a second backup IMMEDIATELY. For a photographer, the sensible thing is to have three bodies. Lots don't, but it's not excessive by any means. Incidentally, the nine leicas thing is a canard as you know perfectly well. The original owner of the nine leicas was talking about all the leicas he'd owned, not all the ones he had now. By that definition I guess you'd say I have three leicas, two Canon A1s, a T90, a canan rf... and so on. Consider this: most small businesses own a vehicle on the company books. Let's say it's worth $20,000. That's about the same as... hey! nine leicas. Go figure. - -- Johnny Deadman http://www.pinkheadedbug.com